La Senora has had a close collaboration with Montgomery Arts House for Music and Architecture (MAHMA) for the past five years. The two non-profit foundations found much in common in the music and films that populate their histories. La Senora Members and referred guests are always given a very warm welcome by hosts, composer Maria Newman and Violist Scott Hosfeld.
Event: LA as Subject Archives Board Meeting
Date: 14 June 2011
Time: 10:00am
Today the delegates from La Senora will visit the City of Los Angeles Records Storage Facility. In addition to planning for the October 2011 Archives Festival to be held at USC, members attending will receive a guided tour through the City's archives (both operational dead files and the early Los Angeles documents held in the controlled environment of the Archives Vault.
Event: Docent Training Workshop
Date: 15 June 2011
Time: 6:30pm
La Senora hosted another docent training for the grounds of the Jose Mojica Hacienda.
Event: History of Tango at Hacienda in the 1930s
Date: 16 June 2011
Time: 7:00pm
Our first meeting of this continuing exploration of the Tango introduced to his Hacienda by Tenor Jose Mojica with the tradition continued during the Salon Era of the 'inter-war years'. Tony Munoz, son of Jose Mojica's Valet will lead us into an understanding of how this dance swept the world.
Event: California Preservation and Santa Monica Conservancy
Date: 17 June 2011
Time: 5:00pm
To celebrate the recent highly successful California Preservation Foundation annual Conservation Conference hosted by the Santa Monica Conservancy partnered with local non-profits such as La Senora, the worker-bees who headed committees and put on study tours and workshops are gathering for a private celebration and 'thank you' at La Senora. During the Conference La Senora hosted a Study Tour (a professional conservationists' look at the use of ground penetrating radar used to locate subsurface anomalies without disturbing them) and the joyous President's Reception. We welcome those invited by CPF to this 'Thank-You' event.
Event: Upper Santa Monica Canyon 4th of July Celebration
Date: 4 July 2011
Time: 11:00am
Neighbors of Upper SM Canyon gather for a day of old-fashioned fun. Toddler's parade and children's activities are followed by the annual re-match of the East Channel and Dryad Road Softball Teams (players over the age of 12 bat left handed to give the kids an edge at starring in this game). Fond recollections of this neighborhood tradition draw former residents of the Canyon, who return bringing their children with them....thus perpetuating the tradition for another generation.
Events: Westside Story at the Hollywood Bowl
Date: 9 July 2011
Time: 8:00pm
Four lucky La Senora Patron Members will have front row seating in a box in the Garden Section of the Hollywood Bowl. This box was provided by one of our generous donors. If you really LOVE dance, then enter the Patron Member pool drawing for these tickets by logging onto the Patron page.
Event: Cuban Architecture of the 1930's
Date: 21 July 2011
Time: 7:00pm
Join our small group for a lecture at the Getty. Learn about the legacy of Spanish Colonial architecture as it was being built in Cuba and in Los Angeles during the late 1920s and 1930s. Additional details on La Senora's guide will be provided to the Patron Members who sign up. Size of this group will be limited to 8 members.
Event: Gershwin: from Broadway to Catfish Row
Date: 26 July 2011
Time: 6:30pm
Event: The Tango's Role in Old Hollywood
Date: 7 September 2011
Time: 7:00-9:00pm
Lecturer/Instructor Tony Munoz, whose father served as Jose Mojica's Valet during the period in which Mojica made his 14 films for Fox Studios, joins us again bringing more of the historical context of the Tango in Old Hollywood. Sharing this cultural heritage includes the opportunity for people who have never danced to learn the graceful movements of this "American Style" Tango popularized by Rudolph Valentino but danced in all the Mexican Casas of Old Hollywood.
Event: The History of Tango in Old Hollywood
Date: 21 September 2011
Time: 7:00-9:00pm
Lecturer/Instructor Tony Munoz, whose father served as Jose Mojica's Valet during the period in which Mojica made his 14 films for Fox Studios, joins us again bringing more of the historical context of the Tango in Old Hollywood. Sharing this cultural heritage includes the opportunity for people who have never danced to learn the graceful movements of this "American Style" Tango popularized by Rudolph Valentino but danced in all the Mexican Casas of Old Hollywood.
Event: The Glory of Gershwin
Date: 14 October 2011
Time: 6:30-10:00pm
La Senora members are gathering at the Hacienda to car pool to this Small Group Special Event at the Broad Theater. Gershwin's history in the Hacienda during the years of Anita Loos' afternoon Salons is extensive. This 1994 multi-media presentation was originally written in 1994 as a birthday tribute to a lifelong friend and admirer of George and Ira Gershwin.
Event: Milonga
Date: 15 October 2011
Time: 7:00-11:00pm
A night of classic Argentine Tango in the gardens and home of Jose Mojica Hacienda.
Event: Rancho Days Fiesta
Date: 16 October 2011
Time: 2:00-5:00pm
La Señora neighbors and members stepped back into the history of Rancho Boca de Santa Monica. Of course we had 'storytelling' -- our Historian was the great grandson of the Rancho's 1839 Grantees! Traditional roasted Goat, demonstrations of tortilla-making, children absorbed in pottery and mural creations led by artist Richmond Burton, and Pinatas. Also joining us this year were families from Santa Monica's Upward Bound Program.
Event: Santuario San Lorenzo Board Meeting
Date: 18 October 2011
Time: 7:00pm
Meeting of Santuario Board to plan the landscaping of the land and discuss Cultural Heritage process for approvals.
Event: LA as Subject Exhibition- USC Doheny Memorial Library
Date: 22 October 2011
Time: 9:00-5:00pm
L.A. as Subject is a research alliance dedicated to preserving and improving access to the raw material of Los Angeles history. Much of the city’s history is preserved in libraries, museums, and other cultural institutions. Other valuable and unique collections – those that reveal the stories of neighborhoods, families, and influential Angelenos – are scattered across Southern California, curated by smaller institutions and individual enthusiasts. With an online directory of more than 230 separate collections, L.A. as Subject ensures that researchers know what materials are available, where they are located, and how to access them. L.A. as Subject’s biggest undertaking is the annual Los Angeles Archives Bazaar, a congregation of members that brings their unique collections together into one place. The event allows scholars, researchers, archivists, librarians, students, and history enthusiasts to browse the broad collections of the alliance’s members.
Event: A Conversation with Edith Head- "Gala Opening" with Post Show Reception
Date: 28 October 2011
Time: 7:00pm-10:00pm
Edith Head did the costumes (very famous in her time) for movies on which both Lyle Wheeler and Anita Loos worked. Ms. Head lived in a warm and inviting hacienda in Coldwater Canyon, the stories of which will come out during this evening's performance. Ovation recommended! “A Conversation With Edith Head” is a feast of delicious behind-the-scenes stories about Hollywood’s greatest stars that provide an intimate portrait of Hollywood’s legendary costume designer. In her six decades of costume design, Edith Head worked on over eleven hundred films; dressed the greatest stars of Hollywood; received 35 Academy Award® nominations, and won an unprecedented eight Oscars®. “A Conversation With Edith Head” gives the inside scoop on Edith and the Golden Age of Hollywood.
Event: Flights of Imagination
Date: 6 December 2011
Time: 7:00pm- 10:00pm
A Performance by the La Senora Chamber Ensemble, performing "Quartet in G Minor- Claude Debussy 3rd Movement" and "Quartet in G Minor by Edvard Grieg." The Ensemble, made up of Ray Dean Mize, Maurice Grants, Eric Boulanger and Myroslava Khomik, performs these pieces contributing each of their own talents to play this unique and interesting piece. It is an orchestral sound but also often folkloric, like the Hardanger fiddle music that Grieg knew and loved so well. The depth of sound is achieved by using the impact of concurrent double stopping, in fortissimo, in multiple instruments; the breadth of sound the audience hears can be found in Grieg’s having the instruments use the double and triple stops to create a chord effect of more than the usual four notes.